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Credimus

Words which are familiar

If you were born before 1965 or sing in a choir then these words may be very familiar to you. They form the core of many a choral work. But did you know that a similar set of words is used frequently but for a far different, yet incoherent, purpose? First of all, let me turn you to what the Bible says: There is no god, so says the fool in his heart.

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COP26

Call Coco picky if you will but the COP26 globe which has been chosen by many to illustrate the opening of the summit looks as if someone has tried to wrap Mercator’s projection of the globe back onto a globe. This is truly flat earth thinking, however not quite so bad as the hexagonal football of British road sign infamy. Coming back to the COP26 globe, Coco does wonder how the young man at the front managed to get his head in front of the globe which is being held by a hand in front of him, and what is on the other side of the globe. Is the Pacific really that big?

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Stereo typing

In the eyes of the ARC and others It is impossible to get it right. If you choose the image of a white man you can be accused of racial bias, if you choose the image of a black man you can be accused of racial bias. If you choose the image of an oriental you can be accused of bias even if the image is of the person you are actually representing. What are we to choose when we want to depict a man doing something? Coco was going to suggest that we use a monkey instead, but then, if the experience of Hartlepool is anything to go by, we shall only end up annoying the French even more than they are already. I suppose someone will consider that to be racist too. Hey-ho, Boney was a warrye, way, aye, yah. A warrye and terrye, John France, wah!

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Diversity increases?

There was a school class which comprised only fifteen boys – it was a privileged area and the boys, unable to cope with competition from hard working girls, had been segregated – one of whom had black skin and two had brown, the rest all had white, perhaps you could say albino, but that may be misunderstood. The class was therefore racially diverse.

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Who?

Who is she?

Yesterday as the sun went down
Only one thing was in my crown;
Under the glow of the darkening cloud
In my heart a thought cried aloud:
Summer is going, with all its host,
Surrendering to autumn and winter’s frost
Hope fled away, gone without reason
Early, to feel the loss of the season.
Then, another came into view,
Ready and willing her life to renew,
Under the glow of the pinkening cloud
Even she who is you, of whom be proud.

Who is on the Lord’s side?

Who is on the Lord’s side? Who will serve the King?
Who will be his helpers, other lives to bring?
Who will leave the world’s side? Who will face the foe?
Who is on the Lord’s side? Who for him will go?
By thy call of mercy, by thy grace divine,
We are on the Lord’s side: Saviour, we are thine!

Not for weight of glory, nor for crown and palm,
Enter we the army, raise the warrior psalm;
But for love that claimeth lives for whom he died:
He whom Jesus saveth marches on his side.
By thy love constraining, by thy grace divine,
We are on the Lord’s side: Saviour, we are thine!

Jesus, thou hast bought us, not with gold or gem,
But with thine own lifeblood, for thy diadem;
With thy blessing filling each who comes to thee,
Thou hast made us willing, thou hast made us free.
By thy great redemption, by thy grace divine,
We are on the Lord’s side: Saviour, we are thine!

Fierce may be the conflict, strong may be the foe,
But the King’s own army none can overthrow;
‘Round his standard ranging, vict’ry is secure,
For his truth unchanging makes the triumph sure.
Joyfully enlisting, by thy grace divine,
We are on the Lord’s side: Saviour, we are thine!

Chosen to be soldiers, in an alien land,
Chosen, called, and faithful, for our Captain’s band;
In the service royal, let us not grow cold,
Let us be right loyal, noble, true and bold.
Master, thou wilt keep us, by thy grace divine,
Always on the Lord’s side: Saviour, always thine!

Words: Frances Ridley Havergal (1836-79)
Music: Someone will say that it bears some similarity with, a passing resemblance maybe to, a song by Mavis Ford, in which case Coco is flattered and she perhaps annoyed. Coco finally got around to putting pen to paper for a new tune for Who is on the Lord’s side. Any similarity between this and an other tune may be coincidental, deliberate or unintentional in the manner of Brahms first Symphony and many other hymns whose first lines appear to have some resemblance to each other.
The copyright of this arrangement of the music is held by Stuart Moffatt (© 1999-2021).
The midi file was produced using Noteworthy Composer.
The mp3 was produced using Myriad software.
Also on CPDL and NWC Scriptorium

Who is on the Lord’s side is usually sung to at least two different tunes, but obviously not at the same time in the same place that would be anti-fermionic not to say cacophonous:

Rachie

Music: Rachie – Caradog Roberts (1878-1935) and adapted here by Coco
The copyright of this arrangement of the music is held by Stuart Moffatt (© 1999-2021).
On NWC Scriptorium

Armageddon

Music: Armageddon – C. Luise Reichardt, arr. by John Goss, 1871 and adapted here by Coco
The copyright of this arrangement of the music is held by Stuart Moffatt (© 1999-2021).
On NWC Scriptorium

These words of Mavis Ford fit quite nicely onto Armageddon and Rachie, do you not agree?

You are the King of glory
You are the Prince of Peace
You are the Lord of heaven and earth
You’re the Son of righteousness
Angels bow down before you
Worship and adore, for
You have the words of eternal life
You are Jesus Christ the Lord

Hosanna to the son of David
Hosanna to the King of kings
Glory in the highest heaven for
Jesus the Messiah reigns