Anti-scientific?

It was a recommendation of and a listening to Professor Angus Dalgleish, physician, oncologist, pathologist, medical researcher and author that prompted the thoughts.

The Professor makes a good point. There is a lack of consensus in many areas of science, and perhaps especially true in the context of cosmological and the design of bio-chemical machines, where radically contrary views may be held by main-stream scientists, but who rise up together when anything approaching a Biblical perspective on the known facts is introduced to silence the proponents of what is an alternative and more credible explanation than their own. Even Coco’s use of the word design in the preceding sentence will provoke the ire of such opponents of the scientific method to which they pretend to adhere but abandon when it does not suit their ideology or philosophy.

It is difficult however for the layman to assess and test the different points of view and ultimately comes down the question, as Coco read elsewhere in a different context, ‘who are you prepared to believe?’ whilst at the same time keeping only a tenuous hold on the current scientific thinking, for as has been seen very clearly in the last 500 years at least, current scientific thinking can be rapidly overturned by a new and aberrant ‘fact’ or a new explanation for a well-known fact that had previously not been adequately explained.

What Coco would suggest however is that we should not believe those who seek only to silence the opposition and are not prepared to let you listen to any alternative presentation or explanation.

The first one to plead his cause seems right, until his neighbour comes and examines him. Proverbs 18.17


Anti-scientific woke

JWC WU WHS awards 2020

Where Coco first published this he was going to use the word kongratulations, correctly spelt of course, but something in the system insisted that it become a word of colour rather than an ordinarily coloured word in black ink. As Coco is the writer, he thinks that it should be for him not an editor with whom he cannot speak to decide whether a word required some form of emphasis, and in any event, emphasis in a sentence can often be achieved for a word simply by a repositioning or change of word order, so of something else Coco had to think.


To congratulate the gold awards winners at the JWC WU WHS (https://www.jwcwuwhsawards.com/) awards ceremony would be insufficient, they have worked hard for what they have achieved, but not in order to win an award, but rather to further the health of men and women. We were reminded this evening that John prayed for the Gaius (3 John 2) that he should prosper and be well [in his body] as he is well in his soul. The winners of the awards are engaged in this work.

It is invidious to single any of them out, and who is Coco to judge anyway, but he shall, and in compliance with good statistical practice he shall declare a significant data selection bias, and mention the ILF (https://www.lympho.org/), where Professor Christine Moffatt CBE is a trustee, and UTokyo, where Dr Gojiro Nakagami works on BioFilms which as you will all know are even more scary than Hitchcock films.

Finally, Coco takes the opportunity to remind you that should you know any young people with lymphoedema who have not yet completed the QOL survey, please do ask them to consider the LYMPHOQOL (https://www.surveymonkey.co.uk/r/LYMPHOQOL) questionnaire. PostScript: Whilst the official survey closed late in 2022, and the results taken for analysis, from which reports are expected early 2024, the questionnaire is still available and entries being monitored. You may find the questions useful and helpful. If you leave personal details then the team may be able to follow you up.

If you wish to jump into the video of the awards ceremony, then you will find Professor Moffatt at 2566 and Professor Nakagami at 3282.

The 2020 JWC WUWHS Awards: ‘The Olympics of Wound Care’
These awards seek to recognise the hard work done by health-care professionals in all fields of wound care over the four years since the WUWHS 2016 conference. As with the JWC awards, these will highlight the great contribution that nurses, clinicians, scientists, researchers and academics make to the development of wound-care research and practice.
The 2020 JWC-WUWHS awards are open for nominations now. The deadline is Friday 26 November, after which we will shortlist and ask our editorial board members and representatives of the associated societies to judge the top 5–8 nominees on a number of criteria. 
We also want to draw your attention to the Most Progressive Society award. This accolade is for the associated society who has made the biggest impact in wound care in the past four years.
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Dorogoi Dlinnoyu

Coco knew nothing of Nandos until, consequent upon an interest in Southern Rhodesia, he was provoked by an advert for a six pack on YouTube. It is now a private video but you may be one of the few who have been invited to view it, or be able to find a copy of it.

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Deserted Island

Emperors of the Island – Danny Abse

© Stuart Moffatt 1969

There is a story of a deserted Island
Where five men walked down to the shore
The story of the Island is
that three men would two men slay
Three men dug two graves in the sand
Three men stood on the sea wet rock
Three shadows moved away.

There is a story of a deserted Island
Where three men walked down to the shore
The story of the Island is
that two men would one men slay
Two men dug one grave in the sand
Two men stood on the sea wet rock
Two shadows moved away.

There is a story of a deserted Island
Where two men walked down to the shore
The story of the Island is
that one men would one men slay
One men dug one grave in the sand
One men stood on the sea wet rock
One shadow moved away.

There is a story of a deserted Island
Where one man walked down to the shore
The story of the Island is
that four ghosts would one men slay
Five ghosts dug one grave in the sand
No men stood on the sea wet rock
No shadows moved away.

© Danny Abse 1957
See also The Poetry Station where Danny Abse recites a different version of this poem. © The English and Media Centre

Noteworthy Scriptorium

The copyright of the music is held by Stuart Moffatt (© 1969).
The midi file was produced using Noteworthy Composer.
The mp3/ogg were produced using Myriad software.